Keep the day job
Christie still hits the pavement on a regular basis, playing with her open guitar case for bustling commuters. She considers it a part-time job of sorts, but these days she plays the New York tunnels instead.
“It’s actually easier to play in New York, because you don’t get hassled at all,” she says. “I played in Philly a month ago, made $10 on one song, but then a cop told me I needed a permit. Oh, Philly.”